11 |
THIRTYTHREE |
- |
- |
- |
|
THIRTY |
100 |
37 |
|
|
THREE |
56 |
29 |
|
11 |
THIRTYTHREE |
156 |
66 |
3 |
- |
- |
1+5+6 |
6+6 |
- |
11 |
THIRTYTHREE |
12 |
12 |
3 |
- |
- |
1+2 |
1+2 |
- |
11 |
THIRTYTHREE |
3 |
3 |
3 |
I AM THE OPPOSITE OF
THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE
AM I
I
ALWAYS
AM
114 |
NINENINETYNINE
|
171 |
81 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
|
NINE |
42 |
24 |
|
36 |
First
Total |
378 |
216 |
54 |
3+6 |
Add
to Reduce |
3+7+8 |
2+1+6 |
5+4 |
9 |
Second
Total |
18 |
9 |
9 |
- |
Reduce
tio Deduce |
1+8 |
- |
- |
9 |
Essence
of Number |
9 |
9 |
9 |
11 |
THE
STAR GATE |
- |
- |
- |
|
THE |
33 |
15 |
|
|
STAR |
58 |
13 |
|
4 |
GATE |
33 |
15 |
|
11 |
THE
STAR GATE |
124 |
43 |
16 |
1+1 |
- |
1+2+4 |
4+3 |
1+6 |
2 |
THE
STAR GATE |
7 |
7 |
7 |
15 |
THE
RAINBOW LIGHT |
- |
- |
- |
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE
RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE
RAINBOW LIGHT |
9 |
9 |
3 |
GREETINGS
CHILD
OF
THE
RAINBOW
|
ENTERS |
81 |
36 |
|
|
THE |
33 |
15 |
|
|
GOLDEN |
57 |
30 |
|
|
CHILD |
36 |
27 |
|
20 |
- |
207 |
108 |
27 |
2+0 |
- |
2+0+7 |
1+0+8 |
2+7 |
2 |
- |
9 |
9 |
3 |
THE
HOURS OF HORUS
THAT I OF THAT
I OF THAT I THAT
I
AM
SALUTES
THE
ALMIGHTY
THAT
IS
THEE
PEACE BE UNTO YOU
GOODWILL UNTO ALL SENTIENT
BEINGS
THE RISE AND FALL OF ANCIENT EGYPT
The History of a Civilisation from 3000 BC to Cleopatra
Toby Wilkinson 2010
Page XIV
EARLY DYNASTIC PERIOD 2950-2575
Unification of Egypt
Narmer
|
|
|
|
6 |
NARMER |
- |
- |
- |
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
E |
14 |
5 |
|
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
6 |
|
69 |
33 |
33 |
|
|
|
|
- |
- |
6+9 |
3+3 |
3+3 |
|
|
|
|
6 |
|
15 |
6 |
6 |
|
|
|
|
- |
- |
1+5 |
- |
- |
|
|
|
|
6 |
|
6 |
6 |
6 |
R NAME R
|
|
|
|
6 |
NARMER |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
6 |
|
69 |
33 |
33 |
|
|
|
|
- |
- |
6+9 |
3+3 |
3+3 |
|
|
|
|
6 |
|
15 |
6 |
6 |
|
|
|
|
- |
- |
1+5 |
- |
- |
|
|
|
|
6 |
|
6 |
6 |
6 |
R NAME R
|
|
|
|
6 |
NARMER |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
N+A+M+E |
33 |
15 |
|
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
6 |
|
69 |
33 |
33 |
|
|
|
|
- |
- |
6+9 |
3+3 |
3+3 |
|
|
|
|
6 |
|
15 |
6 |
6 |
|
|
|
|
- |
- |
1+5 |
- |
- |
|
|
|
|
6 |
|
6 |
6 |
6 |
R NAME R
NARMER N RAM E R NARMER
|
|
|
|
3 |
RAM |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
3 |
|
32 |
14 |
14 |
|
|
|
|
- |
- |
3+2 |
1+4 |
1+4 |
|
|
|
|
3 |
|
15 |
5 |
5 |
|
|
|
|
3 |
RAM |
- |
- |
- |
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
A+M |
14 |
5 |
|
|
|
|
|
3 |
|
32 |
14 |
14 |
|
|
|
|
- |
- |
3+2 |
1+4 |
1+4 |
|
|
|
|
3 |
|
5 |
5 |
5 |
|
|
|
|
5 |
MENES |
- |
- |
- |
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
5 |
|
56 |
29 |
20 |
|
|
|
|
- |
- |
5+6 |
2+9 |
2+0 |
|
|
|
|
5 |
|
11 |
11 |
2 |
|
|
|
|
- |
- |
1+1 |
1+1 |
- |
|
|
|
|
5 |
|
2 |
2 |
2 |
|
|
|
|
5 |
MENES |
- |
- |
- |
|
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
5 |
|
56 |
29 |
20 |
|
|
|
|
- |
- |
5+6 |
2+9 |
2+0 |
|
|
|
|
5 |
|
11 |
11 |
2 |
|
|
|
|
- |
- |
1+1 |
1+1 |
- |
|
|
|
|
5 |
|
2 |
2 |
2 |
Menes
From Wikipedia, the free encyclopedia
This article is about the Pharaoh. For the H. P. Lovecraft character, see The Cats of Ulthar. For the Macedonian general, see Menes of Pella. For the Romanian village of Miniş, called Ménes in Hungarian, see Ghioroc.
Menes
Africanus: Mênês
Eusebius: Mênês
The cartouche of Menes on the Abydos King List
The cartouche of Menes on the Abydos King List
Pharaoh
Successor
Hor-Aha?
Menes (/ˈmiːniːz/; Egyptian: Mnj, probably pronounced */maˈnij/;[5] Ancient Greek: Μήνης;[4] Arabic: مينا) was an ancient Egyptian pharaoh of the early dynastic period, credited by classical tradition with having united Upper and Lower Egypt, and as the founder of the first dynasty (Dynasty I).[6]
The identity of Menes is the subject of ongoing debate, although mainstream Egyptological consensus identifies Menes with the protodynastic pharaoh Narmer[1][2][3] (most likely) or first dynasty Hor-Aha.[7] Both pharaohs are credited with the unification of Egypt, to different degrees by various authorities.
The commonly used Menes derives from Manetho, an Egyptian historian and priest who lived during the Ptolemaic period. Manetho used the name in the form Μήνης (transliterated: Mênês).[4][8] An alternative Greek form, Μιν (transliterated: Min), was cited by the 5th-century BCE historian Herodotus,[9] a variant no longer considered the result of contamination from the name of the god Min.[10]
The Egyptian form, Meni, is taken from the Turin and Abydos king lists (dated Dynasty XIX).
The name, Menes, means "He who endures", which, Edwards (1971) suggests, may have been coined as "a mere descriptive epithet denoting a semi-legendary hero [...] whose name had been lost".[4] Rather than a particular person, the name may conceal collectively the protodynastic pharaohs Ka, Scorpion and Narmer.[4]
§Narmer and Menes[edit]
Main article: Narmer
The almost complete absence of any mention of Menes in the archaeological record,[4] and the comparative wealth of evidence of Narmer, a protodynastic figure credited by posterity and in the archaeological record with a firm claim[2] to the unification of Upper and Lower Egypt, has given rise to a theory identifying Menes with Narmer.
The chief archaeological reference to Menes is an ivory label from Naqada which shows the royal Horus-name Aha (the pharaoh Hor-Aha) next to a building, within which is the royal nebty-name mn,[11] generally taken to be Menes.[4][a] From this, various theories on the nature of the building (a funerary booth or a shrine), the meaning of the word mn (a name or the verb endures) and the relationship between Hor-Aha and Menes (as one person or as successive pharaohs) have arisen.[1]
The Turin and Abydos king lists, generally accepted to be correct,[1] list the nebty-names of the pharaohs, not their Horus-names,[2] and are vital to the potential reconciliation of the various records: the nebty-names of the king lists, the Horus-names of the archaeological record and the number of pharaohs in Dynasty I according to Manetho and other historical sources.[2]
Petrie first attempted this task,[2] associating Iti with Djer as the third pharaoh of Dynasty I, Teti (Turin) (or another Iti (Abydos)) with Hor-Aha as second pharaoh, and Menes (a nebty-name) with Narmer (a Horus-name) as first pharaoh of Dynasty I.[1][2] Lloyd (1994) finds this succession "extremely probable",[2] and Cervelló-Autuori (2003) categorically states that "Menes is Narmer and the First Dynasty begins with him".[3] However, Seidlmayer (2004) states that it is "a fairly safe inference" that Menes was Hor-Aha.[7]
§Dates[edit]
Egyptologists, archaeologists and scholars from the 19th century have proposed different dates for the era of Menes, or the date of the first dynasty:[12][b]
Jean-François Champollion (1840) – 5867 BC
August Böckh (1845) – 5702 BC
Auguste Mariette (1871) – 5004 BC
Flinders Petrie (1887) – 4777 BC
Heinrich Karl Brugsch (1859) – 4455 BC
Franz Joseph Lauth (1869) – 4157 BC
Karl Richard Lepsius (1856) – 3892 BC
Christian Charles Josias Bunsen (1848) – 3623 BC
Reginald Stuart Poole (1851) – 2717 BC
James Strong (1878) – 2515 BC
John Gardner Wilkinson (1835) – 2320 BC
Modern consensus dates the era of Menes or the start of the first dynasty between c. 3100–3050 BC; some academic literature uses c. 3000 BC.[13]
§History[edit]
By 500 BC mythical and exaggerated claims had made Menes a cultural hero, and most of what is known of him comes from a much later time.[14]
Ancient tradition ascribed to Menes the honor of having united Upper and Lower Egypt into a single kingdom,[15] and becoming the first pharaoh of Dynasty I.[16]
However, his name does not appear on extant pieces of the Royal Annals (Cairo Stone and Palermo Stone), which is a now-fragmentary king's list that was carved onto a stela during the Fifth dynasty. He typically appears in later sources as the first human ruler of Egypt, directly inheriting the throne from the god Horus.[17] He also appears in other, much later, king's lists, always as the first human pharaoh of Egypt. Menes also appears in demotic novels of the Graeco-Roman Period, demonstrating that, even that late, he was regarded as important figure.[18]
Menes was seen as a founding figure for much of the history of Ancient Egypt, similar to Romulus in Ancient Rome.[19]
Manetho records that Menes "led the army across the frontier and won great glory".[8][16]
§Capital[edit]
Manetho associates the city of Thinis with the first dynasties (Dynasty I and Dynasty II) and, in particular, Menes, a "Thinite" or native of Thinis.[8][16] Herodotus contradicts Manetho in stating that Menes founded the city of Memphis as his capital[20] after diverting the course of the River Nile through the construction of a dyke.[21] Manetho ascribes the building of Memphis to Menes' son, Athothis,[16] and calls no pharaohs earlier than Dynasty III "Memphite".[22] Herodotus and Manetho's stories of the foundation of Memphis are probably later inventions: in 2012 a relief mentioning the visit of Memphis by Iry-Hor --a predynastic ruler of Upper Egypt reigning before Namer-- was discovered in Sinai, indicating that the city was already in existence in the early 32nd century BC.[23]
§Cultural influence[edit]
Diodorus Siculus stated that Menes had introduced the worship of the gods and the practice of sacrifice[24] as well as a more elegant and luxurious style of living.[24] For this latter invention, Menes' memory was dishonoured by the Dynasty XXIV pharaoh Tefnakht, and Plutarch mentions a pillar at Thebes on which was inscribed an imprecation against Menes as the introducer of luxury.[24]
In Pliny's account, Menes was credited with being the inventor of writing in Egypt.
§Crocodile episode[edit]
Diodorus Siculus recorded a story of Menes,[25] related by the priests of the crocodile-god Sobek at Crocodilopolis, in which the pharaoh Menes, attacked by his own dogs while out hunting,[26] fled across Lake Moeris on the back of a crocodile and, in thanks, founded the city of Crocodilopolis.[26][27]
Faber (1816), taking the word campsa to mean either crocodile or ark and preferring the latter, identifies Menes with Noah and the entire story as a deluge myth.[28]
Edwards (1974) states that "the legend, which is obviously filled with anachronisms, is patently devoid of historical value",[27] but Maspero (1910), while acknowledging the possibility that traditions relating to other kings may have become mixed up with this story, dismisses the suggestions of some commentators[24] that the story should be transferred to the Dynasty XII pharaoh Amenemhat III and sees no reason to doubt that Diodorus did not correctly record a tradition of Menes.[26]
§Death[edit]
According to Manetho, Menes reigned for 62 years and was killed by a hippopotamus.[8][16]
Menes | biography - king of Egypt | Encyclopedia Britannica
www.britannica.com/EBchecked/topic/374923/Menes
Menes, also spelled Mena, Meni, or Min (flourished c. 2925 bce), first king of unified Egypt, who, according to ancient tradition, joined Upper and Lower Egypt in ...
|
|
|
|
5 |
MENES |
- |
- |
- |
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
S |
19 |
10 |
|
|
|
|
|
5 |
|
56 |
29 |
20 |
|
|
|
|
- |
- |
5+6 |
2+9 |
2+0 |
|
|
|
|
5 |
|
11 |
11 |
2 |
|
|
|
|
- |
- |
1+1 |
1+1 |
- |
|
|
|
|
5 |
|
2 |
2 |
2 |
|
|
|
|
5 |
MENES |
- |
- |
- |
|
|
|
|
|
M+S |
32 |
14 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
N |
14 |
5 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
5 |
|
56 |
29 |
20 |
|
|
|
|
- |
- |
5+6 |
2+9 |
2+0 |
|
|
|
|
5 |
|
11 |
11 |
2 |
|
|
|
|
- |
- |
1+1 |
1+1 |
- |
|
|
|
|
5 |
|
2 |
2 |
2 |
- |
MIN |
- |
- |
- |
- |
M |
13 |
4 |
4 |
- |
I |
9 |
9 |
9 |
- |
N |
14 |
5 |
5 |
3 |
MIN |
36 |
18 |
18 |
- |
- |
3+6 |
1+8 |
1+8 |
3 |
MIN |
9 |
9 |
9 |
THE
MIND OF MIN
Y |
= |
7 |
- |
9 |
YESTERDAY |
|
|
|
T |
- |
2 |
- |
5 |
TODAY |
|
|
|
T |
= |
2 |
- |
8 |
TOMORROW |
|
|
|
- |
- |
|
- |
22 |
- |
|
|
|
- |
- |
1+1 |
- |
2+2 |
- |
3+2+4 |
1+0+8 |
- |
- |
- |
|
- |
|
- |
|
|
3 |
- |
- |
- |
- |
- |
MANETHO |
- |
- |
- |
M |
= |
|
- |
1 |
M |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
N |
= |
|
- |
1 |
N |
|
|
|
E |
= |
|
- |
1 |
E |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
O |
= |
|
- |
1 |
O |
|
|
|
- |
- |
|
- |
7 |
MANETHO |
|
|
|
- |
- |
3+1 |
- |
- |
- |
7+6 |
3+1 |
3+1 |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
MANETHO |
- |
- |
- |
N |
= |
|
- |
1 |
N |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
M |
= |
|
- |
1 |
M |
|
|
|
E |
= |
|
- |
1 |
E |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
O |
= |
|
- |
1 |
O |
|
|
|
- |
- |
|
- |
7 |
MANETHO |
|
|
|
- |
- |
3+1 |
- |
- |
- |
7+6 |
3+1 |
3+1 |
- |
- |
|
- |
|
MANETHO |
|
|
|
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
|
- |
|
MANETHO |
|
|
|
8 |
RAMESSES |
I |
1293-1291
|
99
|
27
|
9
|
8 |
RAMESSES |
II |
1279-1212
|
99
|
27
|
9
|
8 |
RAMESSES |
III |
1182-1151
|
99
|
27
|
9
|
8 |
RAMESSES |
IV |
1151-1145
|
99
|
27
|
9
|
8 |
RAMESSES |
V |
1145-1141
|
99
|
27
|
9
|
8 |
RAMESSES |
VI |
1141-1133
|
99
|
27
|
9
|
8 |
RAMESSES |
VII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
VIII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
IX |
1126-1108
|
99
|
27
|
9
|
8 |
RAMESSES |
X |
1108-1098
|
99
|
27
|
9
|
8 |
RAMESSES |
XI |
1098-1070
|
99
|
27
|
9
|
7 |
PTOLEMY |
I |
106
|
34
|
7
|
7 |
PTOLEMY |
II |
106
|
34
|
7
|
7 |
PTOLEMY |
III |
106
|
34
|
7
|
7 |
PTOLEMY |
IV |
106
|
34
|
7
|
7 |
PTOLEMY |
V |
106
|
34
|
7
|
7 |
PTOLEMY |
VI |
106
|
34
|
7
|
7 |
PTOLEMY |
VII |
106
|
34
|
7
|
7 |
PTOLEMY |
VIII |
106
|
34
|
7
|
7 |
PTOLEMY |
IX |
106
|
34
|
7
|
7 |
PTOLEMY |
X |
106
|
34
|
7
|
7 |
PTOLEMY |
XI |
106
|
34
|
7
|
7 |
PTOLEMY |
XII |
106
|
34
|
7
|
7 |
PTOLEMY |
XIII |
106
|
34
|
7
|
7 |
PTOLEMY |
XIV |
106
|
34
|
7
|
7 |
PTOLEMY |
XV |
106
|
34
|
7
|
9 |
CLEOPATRA |
- |
91 |
37 |
1 |
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
9+5 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
Ptolemy
ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm
Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the
Well do I know that I am mortal, a creature of one day.
But if my mind follows the winding paths of the stars
Then my feet no longer rest on earth, but standing by
Zeus himself I take my fill of ambrosia, the divine dish.
- Ptolemy's epigram, from the Almagest, probably written by himself
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
Ptolemies - Livius
www.livius.org › index › ancient Greece › ancient Egypt
This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same.
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
The fourteen kings of this dynasty were all called Ptolemy
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
The fourteen kings of this dynasty were all called Ptolemy
1 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
11 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
13 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
14 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+4+8+4 |
4+7+6 |
2+3+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+7 |
1+7 |
1+7 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
6+3+7 |
2+5+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+6 |
1+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
2+4+4 |
1+7+2 |
2+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
SHABTI |
- |
- |
- |
S |
= |
|
- |
1 |
S |
|
|
|
H |
= |
|
- |
1 |
H |
|
|
|
A |
= |
|
- |
1 |
A |
|
|
|
B |
= |
|
- |
1 |
B |
|
|
|
T |
= |
|
- |
1 |
T |
|
|
|
I |
= |
|
- |
1 |
I |
|
|
|
- |
- |
|
- |
6 |
SHABTI |
|
|
|
- |
- |
2+3 |
- |
- |
- |
5+9 |
3+2 |
2+3 |
- |
- |
|
- |
|
SHABTI |
|
|
|
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
|
- |
|
SHABTI |
|
|
|
THE RISE AND FALL OF ANCIENT EGYPT
The History of a Civilisation from 3000 BC to Cleopatra
Toby Wilkinson 2010
END OF INNOCENCE (2175-1541 BC)
PARADISE POSTPONED
Page 155
O shabti, detailed to (serve) me ... if I am summoned or if I am detailed to do any work which is to be done in the afterlife ... you shall detail yourself to me every time, (whether) for maintaining the fields, irrigating the banks or ferrying sand from east to west. 'Look, here I am', you shall say.'
When it came to life after death, a shabti was the perfect insurance policy.
Truth will out
One final, crucial aspect of the afterlife adventure also made its first appearance in the years following the collapse of the Old Kingdom. Like the Coffin Texts, magical objects and servant figurines, the concept of a last judgement reflected the mixture of hope and fear that beset the ancient Egyptians in their musings about life after death. Perhaps more than any other feature of Egyptian religion, the idea of a final, inevitable reckoning before a divine judge had a profound and lasting impact on the subsequent development of pharaonic beliefs. Unlike hedgehogs, hippos and shabtis, the last judgement was picked up by other religious traditions of the Near East as well notably Christianity.
The imaginary geography of The Book of Two Ways began with the Island of Fire, where the wicked were consumed in flames but the good were provided with refreshing water for their arduous journey through the underworld. The concept of 'trial by fire' is an ancient one, but this relatively simplistic notion of judgement — whereby the unrighteous dead were separated from the righteous by means of /Page 156/ a single, swift test — was itself to be refined in the flames of social. change. Once again, the shattered illusions that accompanied thie break-up of the Egyptian state proved a fertile breeding ground for new ideas. In troubled times, death came to be seen not as a transition to another dimension of creation, but as a discontinuiry, a break that might prove terminal. Whether an individual achieved rebirth as a divine being or suffered a second death depended on his or her own actions during life. The literary text known as The Instruction for Merikara, purportedly composed by a Herakleopolitan king, summed up this new belief:
When a man remains after passing away,
His deeds are set alongside him . . .
He who reaches (the next life) without wrongdoings
Will exist there like a god . . . 3
In this scheme of things, virtue was no longer enough: it had to be accompanied by freedom from vice. In inscriptions of the period, the boastfulness and bombast typical of Old Kingdom autobiographies are joined for the first time by notes of doubt and defensiveness. A man might enumerate his many qualities and achievements but also take pains to state 'I never spoke a falsehood against any living person'.4 The 'negative confession', a declaration not to have committed a prescribed list of wrongful acts, became an essential component of the judgement process.
Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit. From such tentative beginnings, the concept of judgement rapidly acquired a central place in Egyptian funerary religion, to the extent that the term 'true of voice' became the most common euphemism for 'deceased'. In a society as / Page 157/ obsessed with bureaucracy and accountancy as ancient Egypt, it is perhaps not surprising that theologians imagined the weighing of a' poison's worth taking place on a giant set of goldsmith's scales. The accuracy of the balance perfectly expressed the unerring judgement of the divine tribunal. A spell from the Coffin Texts describes the scales as 'that balance of Ra on which Maat is lifted up',5 indicating that the judgement is authorised by Ra himself, god of the sun and of creation, and that the deeds of the deceased are to be weighed against Maat, the goddess of truth. In this ultimate assessment, there was no room for cheating. The outcome of the judgement process was visualised as a division of the deceased between the justified and the unjust, `numbering the dead and counting the blessed spirits'.6 The differing fates of the two groups were crystal clear.
With eternal survival at stake in the last judgement, the fevered Egyptian imagination swung into action. Conceiving further hurdles hand in hand with the means of overcoming them seems to have given the ancient Egyptians the courage to face the uncertainties of death. In the case of judgement before the tribunal, the greatest danger was that one's own heart — seat of the intellect, fount of emotion and storehouse of memories — might decide to bear false witness and so tip the balance against a favorable verdict. To counter this awful risk, powerful magic was required. Somehow, the heart had to be prevented from blurting out untruths (or hidden truths) that might seal its owner's fate. The ingenious solution was a new type of amulet, first introduced into burials in the late Middle Kingdom. It took the familiar shape of a scarab beetle, a potent symbol of rebirth (because young beetles hatch from a ball of dung, emblematic of death and decay). But unlike the usual scarab amulets it had a human head and was engraved with a protective spell, addressed to the heart. After the body had undergone mummification, the 'heart scarab' was placed over the heart, with clear instructions as to how the organ should behave at the moment of truth:
Do not stand up against me
Do not witness against me,
Do not oppose me in the tribunal,
Do not incline against me ... 7
Page 158
158
In time the heart itself came to stand for the deceased and his deeds, and the pictorial representation of the 'weighing of the heart' against the feather of Truth became an essential image for inclusion on a funerary papyrus, an encapsulation of the final judgement. It remains one of the most instantly recognisable, characteristic and evocative scenes from the entire repertoire of ancient Egyptian art.
And the concept of a 'dreadful day of judgement, when the secrets of all hearts shall be disclosed' is still with us, four thousand years later.
Page 156
“Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit.”
'his voice is true in the calculation of differences'
HIS VOICE IS TRUE IN THE CALCULATION OF DIFFERENCES
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
54 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
64 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
3 |
|
11 |
|
111 |
39 |
|
|
|
|
|
|
|
|
|
|
6 |
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
4 |
|
11 |
|
94 |
58 |
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
4+7 |
|
4+3 |
Add to Reduce |
4+6+4 |
2+1+2 |
4+1 |
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
ATUM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
87 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
79 |
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
23 |
|
288 |
99 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
55 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
4 |
|
45 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
15 |
|
180 |
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
3+8 |
Add to Reduce |
4+6+8 |
1+5+3 |
3+6 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
R |
= |
9 |
- |
7 |
ROSETTA |
98 |
26 |
8 |
S |
= |
1 |
- |
5 |
STONE |
73 |
19 |
1 |
- |
- |
10 |
- |
12 |
Add to Reduce |
|
|
|
- |
- |
1+0 |
- |
1+2 |
Reduce to Deduce |
1+7+1 |
4+5 |
|
Q |
- |
1 |
- |
3 |
Essence of Number |
|
|
|
CHEIRO'S BOOK OF NUMBERS
Circa 1926
Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English literature for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.
The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
THE
QUESTION
HAS BEEN ASKED AGAIN AND AGAIN
IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE
THE TIDE AT THE
FLOOD
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
NARRATIVE |
108 |
36 |
9 |
9 |
SEQUENCES |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
9 |
AMBIGUOUS |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
S |
= |
1 |
- |
4 |
SIGN |
49 |
22 |
4 |
S |
= |
1 |
- |
5 |
SIGNS |
68 |
23 |
5 |
S |
= |
1 |
- |
6 |
SIGNAL |
62 |
26 |
8 |
S |
= |
1 |
- |
7 |
SIGNALS |
81 |
27 |
9 |
S |
= |
1 |
- |
6 |
SIGNALLED |
164 |
38 |
2 |
S |
= |
1 |
- |
7 |
SIGNALLING |
104 |
50 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
6 |
SYMBOL |
86 |
23 |
5 |
S |
= |
1 |
- |
7 |
SYMBOLS |
105 |
24 |
6 |
S |
= |
1 |
- |
9 |
SYMBOLISE |
119 |
38 |
2 |
S |
= |
1 |
- |
9 |
SYMBOLOGY |
133 |
43 |
7 |
S |
= |
1 |
- |
10 |
SYMBOLISED |
123 |
42 |
6 |
S |
= |
1 |
- |
11 |
SYMBOLISING |
144 |
54 |
9 |
S |
= |
1 |
- |
12 |
SYMBOLOGICAL |
133 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
N |
= |
5 |
- |
7 |
NUMBERS |
92 |
29 |
2 |
N |
= |
5 |
- |
7 |
NUMERAL |
84 |
30 |
3 |
N |
= |
5 |
- |
8 |
NUMERALS |
103 |
31 |
4 |
N |
= |
5 |
- |
9 |
NUMERICAL |
96 |
42 |
6 |
N |
= |
5 |
- |
8 |
NUMBERED |
82 |
37 |
1 |
N |
= |
5 |
- |
9 |
NUMBERING |
103 |
49 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
5 |
DIGIT |
49 |
31 |
4 |
D |
= |
4 |
- |
6 |
DIGITS |
68 |
32 |
5 |
D |
= |
4 |
- |
7 |
DIGITAL |
62 |
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
6 |
LETTER |
80 |
26 |
8 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
L |
= |
3 |
- |
8 |
LETTERED |
89 |
35 |
9 |
L |
= |
3 |
- |
9 |
LETTERING |
110 |
56 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
5 |
COUNT |
73 |
19 |
1 |
C |
= |
3 |
- |
6 |
COUNTS |
92 |
20 |
2 |
C |
= |
3 |
- |
7 |
COUNTED |
82 |
28 |
1 |
C |
= |
3 |
- |
8 |
COUNTING |
103 |
40 |
4 |
C |
= |
3 |
- |
9 |
COUNTLESS |
128 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
6 |
CYPHER |
75 |
39 |
3 |
C |
= |
3 |
- |
7 |
CYPHERS |
94 |
40 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
- |
7 |
ENCRYPT |
101 |
28 |
1 |
E |
= |
5 |
- |
8 |
ENCRYPTS |
120 |
39 |
3 |
E |
= |
5 |
- |
9 |
ENCRYPTED |
110 |
47 |
2 |
E |
= |
5 |
- |
10 |
ENCRYPTION |
139 |
58 |
4 |
E |
= |
5 |
- |
10 |
ENCRYPTING |
131 |
59 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
4 |
GODS |
45 |
18 |
9 |
C |
= |
3 |
- |
5 |
CYCLE |
48 |
21 |
3 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
6 |
CIRCLE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
6 |
CIRCLE |
68 |
32 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
5 |
CYCLE |
48 |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
8 |
CREATORS |
99 |
36 |
9 |
D |
= |
4 |
- |
6 |
DIVINE |
63 |
36 |
9 |
E |
= |
5 |
- |
7 |
ETERNAL |
75 |
30 |
3 |
L |
= |
3 |
- |
6 |
LIVING |
73 |
37 |
1 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
BODY MAGIC
AN ENCYCLOPAEDIA OF ESOTERIC MAN
Benjamin Walker 1979
MEDITATION
Page 236
An aid to mental development, and, according to its advocates, to
' spiritual advancement and enlightenment, involves a great deal of mental discipline. Some people have a natural aptitude for meditation, but most need to adopt guidelines and follow certain fixed procedures. Meditation is an ordered course in a particular direction aimed at a predetermined goal in a form of self-induced xenophrenia. Throughout the meditative process, even during all the apparently 'unconscious' or trance phases, there is /Page 237 /tinuity of conscious awareness. Meditation can confer genuine benefits, but is not without its pitfalls. The four chief stages in the meditative tradition are briefly outlined below.
(1) Attention, the first stage, is said to be like 'preparing to enter the pool of the mind'. It requires an intentness of consciousness, the direction of awareness by an act of will. But because men are constantly beset by irrelevant lures and diverted by transient issues, they need meditative aids, which are provided at this stage. This first phase is known in yoga as pratyahara, 'withholding', or the exclusion of distractions from the mind such as sense objects and conceptual notions. In Buddhist meditation one can start by focusing the mind on a simple object such as a bare pole standing upright on the ground. It must be done in a state of 'relaxed attentiveness', with no attempt at analytical thought. When extraneous thoughts arise one must not follow them; they should be disregarded, as bubbles on the surface, and allowed to burst and vanish.
Psychologists point out, however, that rigid, undeviating attention can also be pathological in origin. It is then known as hyperprosexia (Gk. pros, 'over', exo, 'to hold'), a psychotic condition in which the mind takes hold of an idea with unshakeable fixity. This is found in various kinds of mental disorder. Certain forms of monoideism (singleness of idea), as in ceaseless daydreaming; or in erotic, status or power fantasizing; and monomania, where the mind is obsessed with a single thought (idee fixe), and one keeps reverting to it in speech, are symptomatic of the same pathology. A number of seemingly paranormal faculties have been explained in terms of such hyperprosexia, where the powers of attention, observation and discrimination are at work to an abnormal degree, so that people can apparently see, hear and feel things that are beyond the scope of the average person.
(2) Concentration, the next stage, is the ability to centre one's consciousness on a subject without being distracted. It is 'entering the pool of the mind'. In yoga this stage is known as dharana, 'holding'. In the Buddhist system the exercise of the previous stage may be advanced to include some such qualification as : think of the same pole, but do not think of a monkey climbing it. The idea of the monkey has now been suggested to the student and he has deliberately to exclude it from consciousness. This is achieved without strain or effort, and in a condition of 'passive concentration'. Great /Page238/powers accrue from concentration. Sir John Woodroffe (d. 1908),
authority on tantrik yoga, wrote that by means of concentration alone, certain yogis are able to kill insects, birds and even larger animals. They can light a fire without flint or matches, by the same means.
The great mathematician and engineer, Archimedes (d. 212 Bc) of Syracuse, is supposed to have had extraordinary powers of concentration. The story goes that once deeply absorbed in a problem he unconsciously registered the rise of the water level as he immersed his body in the tub for a bath, and in a flash conceived the idea of an important hydrostatic principle. So profound was his mood that he immediately rushed through the streets crying, `Eureka! Eureka!' (I have it), quite unaware of the fact that he was still naked. The same genius during the capture of his beloved Syracuse by the Roman general, Marcellus, had been so absorbed in some mathematical diagrams he had drawn in the dust, that he said to a Roman soldier who came too close, `Do not disturb my circles, fellow,' which so annoyed the Roman that he killed him, in spite of specific instructions from Marcellus that the great scholar was not to be touched.
For training in concentration the Neoplatonist philosopher, Plotinus (d. AD 270), recommended mathematics, dialectics and analytical thought. Sufis refer to the middle stages in the meditative process as fikr or devotional concentration on higher things. But in all systems it is emphasized that without concentration no progress can be made, for it is by this means alone that the mind learns to become receptive to the messages from the higher planes.
(3) Contemplation involves deep internalizing of thought. This stage has been compared to 'diving into the pool of the mind'. Here the degree of mental absorption reaches a kind of trance. All the senses are closed to distracting incoming stimuli : one's consciousness is withdrawn and the mind focused inwards. It is a receptive state and some regard it as the final stage of meditation proper. It continues to be a mental operation, but the man absorbed in contemplation is divested of the ego. In yoga this stage is known as dhyana, 'contemplation', in Pali as jhana, in Chinese ch'an, and in Japanese zen. Plato (d. 347 Bc) in his Symposium relates how Socrates once remained standing motionless, absorbed in profound meditation, for the space of /Page 239/ of St Thomas Aquinas (d. 1274) who was once so rapt in meditation on the divine mysteries that he scorched his finger without noticing it.
(4) Many exponents agree that the final stage of the meditative process takes one beyond meditation, and outside the mental plane altogether. One's consciousness is divorced from all empirical content, unmixed with sensation, pathemia or thought. It is a stage of `mindless awareness', unconnected with any direct cerebral activity. This transcendent state is known by various names. It is the samadhi, `conjoining', of yoga; the nirvana, 'extinction', of the Buddhist; the satori, 'illumination' of the zen practitioner; the unio mystica, `mystical union', of the western mystic; and the fan'a, 'annihilation', of the sufi. It has been described as the exaltation of consciousness to 'the highest degree, yet recallable to the conscious mind after the experience is over.
The neoplatonist, Iamblichus (d. AD 333), said that the power of contemplation can at times be so great that the soul leaves the body. And indeed others speak of this last stage as a movement of the soul resembling the spiritual ecstasy* achieved by prophets, sages and mystics. It is a kind of rapture, a peak experience of clear and unclouded bliss. It has been referred to as a merging with the Total, Pure, Objective or Cosmic Consciousness, perhaps representing a flicker of the consciousness of God. But many have denied this as presumptuous. The sufis speaking of the final stage in the mystic's progress, which they call hal, declare that it cannot ever come solely through man's effort, however assiduously he tries, since it is vouchsafed by God's grace. Hal, they declare, is gifted.
Certain physiological concomitants are associated with the trance state, and in recent years scientists have carried out extensive tests to measure the changes that occur in the body when a person is in a meditative trance. Hindu yogis, zen Buddhist monks, Egyptian fakirs, Voodoo practitioners, African medicine-men and Siberian shamans, have all been subjected to such tests. While the results are not conclusive certain factors do seem to be constant. For instance, it has been found that cardiac activity decreases, the heartbeat is slower than normal, blood pressure falls, the general metabolic rate is reduced. Breathing slows down, and oxygen consumption may be appreciably lower than the minimum necessary to support life. The temperature may be feverish, reaching 39°C./Page 240/
239(102°F.), but this is not always so. EEGs indicate that alpha waves (see brain waves) predominate.
Properly undertaken there would appear to be much physical and mental benefit in the complete relaxation and tranquillity that many meditative disciplines provide. The bodily energies are restored and the powers of concentration developed. But the effects of meditation go beyond body and mind, and penetrate to the deepest recesses of the human psyche. Most responsible exponents today affirm that meditative exercises should never be undertaken lightly. Buddha laid great emphasis on the need for 'right meditation'.
In the first place the purpose of meditation has to be very clearly determined. Meditating on a practical problem is actually a form of attentive concentration, and can be a useful aid to its solution. Meditating in order to understand oneself and acquire discipline and self-control can be very beneficial if carried out in the proper spirit. Sometimes extravagant promises of personal success are held out to the student as a reward for his effort. But we are warned that any meditation undertaken with the object of obtaining siddhi (Sanskrit, 'power), or gaining wealth, or injuring one's enemies, can do great harm to the practitioner.
Again, the methods of meditation are also very important. The aids adopted, the ritual paraphernalia used, can all serve as pitfalls for the beginner. Meditation on the psychic centres (chakras) can stimulate them and cause them to be needlessly activated. It has been said, 'More men and women have been driven insane through a premature awakening of the forces latent in these centres than most students realize' (Anon., 1935, p. 23). It is also undesirable to meditate on one's guru or preceptor, such as many Hindu systems advocate. Not only does this smack of idolatry, but it can be used by an unscrupulous guru to gain ascendency over a pupil in more ways than one (see expersonation).
Experts further warn that nothing should be done to precipitate the meditative state, such as quick methods of inducing xenophrenia, through drugs for example. Some occult systems employ magical designs : the mandala of the Buddhist, the eight trigrams of the I-Ching, the kabbalistic tree, the tarot trumps; and also vibratory phonemes or mantras. They may be used in order to effect changes of consciousness, and in some cases to raise thought-forms and elemental entities. These are illusory phenomena artsing from false / Page 241/ meditation, causing fantasies to emerge from the unconscious mind. They act like poisons in the spiritual system.
Again, meditation, for all the virtues claimed on its behalf, can be negative and meaningless, as many inadvertently confess when they reveal that they 'empty the mind', or 'Concentrate on nothingness'. Spiritually, the value of many forms of meditation may be regarded as negligible, and could even be retrograde. Alice Bailey says, `It is essential to realize that meditation can be very dangerous work.'
Correct meditation avoids esoteric techniques and tricks, concentration on the chakras, the repetition of meaningless syllables, ritual procedures, visualization of the guru. The purest form of meditation, it is said, can only be directed to pure ends and use pure means, and is best achieved by devotion to God. When accompanied by beneficient and positive thoughts for the welfare of others, such meditation has a healing virtue for the soul, and this indeed is what the word originally signified (from Latin, mederi, 'to heal').
Meditation that is described as 'getting close to God without humility', and that 'does not ask for guidance' (Anon., 1935, p. 7), might be regarded by many as both arrogant and foolhardy. The personal effort in meditation, without divine grace, can lead one to the shoals. The practitioner can soon be led to believe that he is divine, a self-delusion that is fostered by the autohypnotic repetition of mantras like Aham Brahmasmi (I am God). This leads to antinomianism, the meditator ending up by believing that he is absolved from the requirements of the ethical, moral or religious law, and above spiritual judgment.
Because of the traps that beset the path, theistic religions such as Judaism, Christianity and Islam declare that no method of inner development should be divorced from religion, nor should any method of development be undertaken in a spirit of self-sufficiency. In essence, meditation is humble supplication to God, as a creature to his Creator, in the form of prayer.
MEMORY
The power of retaining, recalling and recognizing previous experience. In its most developed and significant meaning memory is a faculty of the higher intellect. Memory serves as a link with our own past and constitutes an all-important ingredient in the integrative process of our personalities and the recognition of ourselves as individuals. Memory alone forms the link in the continuous flux of perception, and is, according to David Hume (d. 1776), 'the source of personal identity'.
In amnesia or loss of memory, frequently due to injury or shock, one is unable to remember the past, either totally, which is very rare, or partially, where one cannot recall a particular place, time or experience related to a particular set of circumstances usually of
a traumatic character. In the form of amnesia known as fugue, `flight', the victim forgets his name, address, occupation and his personal identity. He has no knowledge of his past, and as a rule disappears from his usual haunts. In other respects he is perfectly normal and his intellect remains unimpaired./Page 243/What we consciously remember is obviously only a small part of our total memory, even if we cannot recall it to conscious awareness. We do not remember most of our dreams, nor do we remember countless incidents that have happened to us a few years, a few months, even a few days ago. We do not remember large segments of our youthful experiences, nor much of our childhood, and nothing of our early infancy and prenatality. Speaking of the strange amnesia that blots out much of the first six or eight years of our life, Sigmund Freud said that 'it serves for each individual as a prehistory'.
It has been estimated that in the course of his seventy years of life, an individual, only when awake, receives and perhaps stores fifty trillion bits of information. (A 'bit', short for 'binary digit', is the smallest unit of information for a storage device, like a computer.) Yet no single event in our lives, however insignificant, is ever forgotten, as is suggested by the phenomenon of cryptomnesia (Gk. kryptos, 'hidden', mneme, 'memory), in which something previously experienced but forgotten is recalled, and now appears as a new experience without awareness of its original source. Religious exaltation, pre-mortem delirium, senility, insanity, high fever, disease, drug states, electrical stimulation of the brain, psychoanalysis, hypnotic trance and other xenophrenic states are among the conditions that often lead to the recall of memories long forgotten and apparently beyond recollection.
How far the human memory can go is still not clear, but age-regression suggests that there is virtually no limit to recall. In ageregressi9p one recollects very early periods of one's life, sometimes even the birth trauma. This is important for the psychologist who looks to the period of these early years for certain suppressed memories, which might be the genesis of later mental ills and aberrations. But the mere recollection is not enough; the patient must undergo the process of abreaction, during which he re-lives the pathogenic (disease-producing) memories in the same emotional state he originally experienced them and thus works off the unconscious repressed emotions associated with them. Abreaction therapy is akin to the pathesis or 'suffered' experience that the candidate had to undergo in the ancient Greek mysteries; or to what Aristotle (d. 322 Bc) called catharsis, 'purging', which he said was the function of great 'dramatic tragedy : to relieve the mind of pent-up emotion
Page 244
Experts contend that even prenatal events are recorded in the child's memory. The French psychical researcher, Col. Eugene Albert de Rochas (d. 1914), claimed that under hypnosis his subjects went right back through all the phases of their lives to infancy, birth and the foetal period. Indeed some people have claimed to remember their life as an embryo, and in a few instances have allegedly re-lived the sensations caused by sexual intercourse between parents during gestation. An even more fantastic claim was made by a woman who said that she had a consciousness of herself as a tiny speck at the very moment of her conception, that is, when sperm met ovum in her mother's womb. Finally, according to reincamationists, there is the age-regression that reaches back beyond prenatality to the memory of one's previous incarnation on earth.
Certain scientists believe that our memory is 'material' and registered entirely in the brain. An engrain is the hypothetical inscription or impress supposedly left on the living cerebral tissue as a result of any excitation caused by the stimuli of, experience. Millions of such engrams or neurograms are believed to combine to make up the fabric of physiological memory. Whether engrams are transmitted to progeny and inherited by them like other genetic characteristics is still debated.
The ancient Greeks thought of the mind as a tablet upon which one's personal experiences were inscribed 'like seal on wax'. Rene Descartes (d. 1650) said that every experience caused the 'animal spirits' to leave a trace on the pores of the brain, and the process of recall was one whereby the pineal gland impelled the animal spirits to seek out the earlier traces in the brain-pores. The English philosopher, John Locke (d. 1704), picking up the Greek idea, compared the mind of a child at birth to a tabula rasa, a 'clean slate', upon which the incoming impressions were written as they were received through the senses. Thomas Huxley (d. 1895) maintained that every sensory impression left behind a record in the molecular 'structure of the brain, in what he called the ideageneous molecules, which formed the basis of memory.
Russian scientists have been particularly interested in establishing a connection between the physical organism and the personality, or the brain-consciousness and character, without any non-material or 'spiritual' factor intervening. After Lenin's death in 1924 Russian surgeons spent two and a half years examining his brain in detail.
Books
Anonymous, Concentration and Meditation. A Manual of Mind Development, Buddhist Lodge, London, 1935.
Bailey, Alice, Letters on Occult Meditation, Lucis Publishing, New York, 1922.
Bailey, Alice, From Intellect to Intuition, Lucis Publishing, New York
/Page 242,/
Benson, H. and Wallace, R. K., 'The Physiology of Meditation', American Journal of Physiology, 1971, pp. 221, 795.
Eastcott, Michal, J., The Silent Path: An Introduction to Meditation, Rider, London, 1969.
Hare, W. L., Systems of Meditation in Religion, Philip Allan, London, 1937.
Hittleman, R., Guide to Yoga Meditation, Bantam Books, New York, 1969.
Jacobson, Edmund, Progressive Relaxation, University of Chicago Press, 1929.
Lounsbery, G. C., Buddhist Meditation, Kegan Paul, London, 1935. Metzner, Ralph, Maps of Consciousness, Macmillan, New York, 1971. Miles, E., The Power of Concentration, Methuen, London, 1919. Naranjo, C. and Ornstein, R. E., On the Psychology of Meditation,
Viking, New York, 1971.
Rawcliffe, D. H., The Psychology of the Occult, Rockliff, London, 1952.
White, J. (ed.), The Highest State of Consciousness, Doubleday, New York, 1972.
Wood, Ernest, Concentration, Theosophical Publishing House, Adyar, 1950.
4 |
A+G+T+C |
31 |
13 |
4 |
7 |
LETTERS |
99 |
27 |
9 |
11 |
A+G+T+C+LETTERS |
130 |
40 |
13
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
DNA |
19 |
10 |
1 |
3 |
RNA |
33 |
15 |
6
|
6 |
D+N+A+R+N+A |
52 |
25 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DOUBLE |
59 |
23 |
5 |
5 |
HELIX |
58 |
31 |
4 |
11 |
DOUBLE HELIX |
117 |
54 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
MAGNETIC+FIELD |
108 |
63 |
18 |
- |
- |
1+0+8 |
6+3 |
1+8 |
13 |
MAGNETIC+FIELD |
9 |
9 |
9 |
7 |
SPHERES |
90 |
36 |
9 |
4 |
ORBS |
54 |
18 |
9 |
7 |
BUBBLES |
63 |
18 |
9 |
5 |
ROUND |
72 |
27 |
9 |
4 |
BALL |
27 |
9 |
9 |
4 |
HOOP |
54 |
27 |
9 |
3 |
SUN |
54 |
9 |
9 |
7 |
JUPITER |
99 |
36 |
9 |
5 |
WORLD |
72 |
27 |
9 |
11 |
SAGITTARIUS |
144 |
45 |
9 |
4 |
GAIA |
18 |
9 |
9 |
3 |
TAO |
36 |
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
3 |
EGO |
27 |
18 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
SORROW |
108 |
36 |
9 |
4 |
LOVE |
54 |
18 |
9 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
10 |
THIRTYFOUR |
160 |
61 |
7 |
3 |
YOU |
61 |
16 |
7 |
4 |
YOUR |
79 |
25 |
7 |
7 |
LETTERS |
99 |
27 |
9 |
8 |
LANGUAGE |
68 |
32 |
5 |
9 |
LANGUAGES |
87 |
33 |
6 |
9 |
NUMBERING |
103 |
49 |
4 |
6 |
NUMBER |
73 |
28 |
1 |
7 |
NUMBERS |
92 |
29 |
2 |
10 |
NUMBERLESS |
128 |
38 |
2 |
8 |
NUMERALS |
84 |
30 |
3 |
5 |
HIERO |
55 |
37 |
1 |
7 |
GLYPHIC |
80 |
44 |
8 |
12 |
HIEROGLYPHIC |
135 |
81 |
9 |
8 |
GLYPHICS |
99 |
45 |
9 |
5 |
GLYPH |
68 |
32 |
5 |
6 |
GLYPHS |
87 |
33 |
6 |
10 |
HIEROGLYPH |
123 |
69 |
6 |
11 |
HIEROGLYPHS |
142 |
70 |
7 |
13 |
HIEROGLYPHICS |
154 |
82 |
1 |
6 |
SYMBOL |
86 |
23 |
5 |
7 |
SYMBOLS |
105 |
24 |
6 |
4 |
ZERO |
64 |
28 |
1 |
3 |
ONE |
34 |
16 |
7 |
8 |
ALPHABET |
65 |
29 |
2 |
9 |
ALPHABETS |
84 |
30 |
3 |
8 |
INSTINCT |
108 |
36 |
9 |
9 |
INSTINCTS |
127 |
37 |
1 |
11 |
INSTINCTUAL |
142 |
43 |
7 |
7 |
NATURAL |
87 |
24 |
6 |
6 |
NATURE |
79 |
25 |
7 |
7 |
NATURES |
98 |
26 |
8 |
9 |
UNIVERSAL |
121 |
40 |
4 |
8 |
LANGUAGE |
68 |
32 |
5 |
17 |
First Total |
189 |
72 |
9 |
1+7 |
Add to Reduce |
1+8+9 |
7+2 |
- |
8 |
Second Total |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+8 |
- |
- |
8 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
GENETIC |
63 |
36 |
9 |
4 |
CODE |
27 |
18 |
9 |
11 |
Add to Reduce |
90 |
54 |
18 |
1+1 |
Reduce to Deduce |
9+0 |
5+4 |
1+8 |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DOUBLE |
59 |
23 |
5 |
5 |
HELIX |
58 |
31 |
4 |
11 |
Add to Reduce |
117 |
54 |
9 |
1+1 |
Reduce to Deduce |
1+1+7 |
5+4 |
- |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
Add to Reduce |
108 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
Luxor | History & Facts - Encyclopedia Britannica
www.britannica.com › Lifestyles & Social Issues › Sociology & Society
Luxor, Arabic Al-Uq?ur, also called El-Aksur, city and capital of Al-Uq?ur mu?afa?ah (governorate), Upper Egypt. Luxor has given its name to the southern ...
Luxor - Wikipedia
en.wikipedia.org › wiki › Luxor
Luxor (Arabic: ??????, romanized: al-?uq?ur, lit. 'the palaces') is a modern city in Upper (southern) Egypt which includes the site of the Ancient Egyptian ...
Luxor was the ancient city of Thebes, the great capital of Upper Egypt during the New Kingdom, and the glorious city of Amun, later to become the god Amun-Ra. The city was regarded in the ancient Egyptian texts as wAs.t (approximate pronunciation: "Waset"), which meant "city of the sceptre", and later in Demotic Egyptian as ta jpt (conventionally pronounced as "tA ipt" and meaning "the shrine/temple", referring to the jpt-swt, the temple now known by its Arabic name Karnak, meaning "fortified village"), which the ancient Greeks adapted as Thebai and the Romans after them as Thebae. Thebes was also known as "the city of the 100 gates", sometimes being called "southern Heliopolis" ('Iunu-shemaa' in Ancient Egyptian), to distinguish it from the city of Iunu or Heliopolis, the main place of worship for the god Ra in the north. It was also often referred to as niw.t, which simply means "city", and was one of only three cities in Egypt for which this noun was used (the other two were Memphis and Heliopolis); it was also called niw.t rst, "southern city", as the southernmost of them.
The importance of the city started as early as the 11th Dynasty, when the town grew into a thriving city.[10] Montuhotep II, who united Egypt after the troubles of the First Intermediate Period, brought stability to the lands as the city grew in stature. The Pharaohs of the New Kingdom in their expeditions to Kush, in today's northern Sudan, and to the lands of Canaan, Phoenicia and Syria saw the city accumulate great wealth and rose to prominence, even on a world scale.[10] Thebes played a major role in expelling the invading forces of the Hyksos from Upper Egypt, and from the time of the 18th Dynasty to the 20th Dynasty, the city had risen as the political, religious and military capital of Ancient Egypt.
The city attracted peoples such as the Babylonians, the Mitanni, the Hittites of Anatolia (modern-day Turkey), the Canaanites of Ugarit, the Phoenicians of Byblos and Tyre, the Minoans from the island of Crete.[10] A Hittite prince from Anatolia even came to marry with the widow of Tutankhamun, Ankhesenamun.[10] The political and military importance of the city, however, faded during the Late Period, with Thebes being replaced as political capital by several cities in Northern Egypt, such as Bubastis, Sais and finally Alexandria.
However, as the city of the god Amun-Ra, Thebes remained the religious capital of Egypt until the Greek period.[10] The main god of the city was Amun, who was worshipped together with his wife, the Goddess Mut, and their son Khonsu, the God of the moon. With the rise of Thebes as the foremost city of Egypt, the local god Amun rose in importance as well and became linked to the sun god Ra, thus creating the new 'king of gods' Amun-Ra. His great temple at Karnak, just north of Thebes, was the most important temple of Egypt right until the end of antiquity.
Later, the city was attacked by Assyrian emperor Ashurbanipal who installed a new prince on the throne, Psamtik I.[10] The city of Thebes was in ruins and fell in significance. However, Alexander the Great did arrive at the temple of Amun, where the statue of the god was transferred from Karnak during the Opet Festival, the great religious feast.[10] Thebes remained a site of spirituality up to the Christian era, and attracted numerous Christian monks of the Roman Empire who established monasteries amidst several ancient monuments including the temple of Hatshepsut, now called Deir
- |
- |
- |
- |
5 |
LUXOR |
- |
- |
- |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
X |
= |
6 |
- |
1 |
X |
24 |
6 |
6 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
27 |
- |
5 |
LUXOR |
90 |
27 |
27 |
- |
- |
2+7 |
- |
- |
|
2+0+7 |
2+7 |
2+7 |
- |
- |
9 |
|
5 |
LUXOR |
9 |
9 |
9 |
|
|
- |
- |
- |
2 |
|
32 |
6 |
|
1 |
|
24 |
6 |
|
1 |
|
15 |
6 |
|
1 |
|
18 |
9 |
|
|
|
|
|
|
- |
|
9+0 |
2+0 |
2+0 |
|
|
|
|
|
5 |
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
|
|
|
|
|
+ |
= |
78 |
7+8 |
= |
15 |
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
"THE WORD FIRST USED FOR MAN IS LULLU"
"THE WORD FIRST USED FOR MAN IS 33333"
"THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...
I hereby name it Babylon, home of the great gods.
The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.
ENUMA ELISH
The Babylonian Creation Myth
"The word used for man is lullu"
LULLU 33333 LULLU
"The word used for man is lullu"
- |
- |
- |
- |
- |
LULLU |
- |
- |
- |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
- |
15 |
- |
- |
6 |
LULLU |
78 |
15 |
15 |
- |
1+5 |
- |
- |
|
- |
7+8 |
1+5 |
1+5 |
- |
6 |
- |
- |
6 |
LULLU |
15 |
6 |
6 |
- |
- |
- |
- |
|
- |
1+5 |
|
|
- |
6 |
- |
- |
6 |
LULLU |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
- |
- |
1 |
ONE |
1 |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
- |
- |
2 |
TWO |
2 |
- |
- |
- |
- |
- |
|
|
3 |
|
3 |
3 |
|
|
|
|
occurs |
x |
|
= |
|
1+5 |
|
4 |
|
|
|
- |
- |
|
- |
- |
4 |
FOUR |
4 |
- |
- |
- |
- |
- |
5 |
|
|
|
- |
- |
|
- |
- |
5 |
FIVE |
5 |
- |
- |
- |
- |
- |
6 |
|
|
|
- |
- |
|
- |
- |
6 |
SIX |
6 |
- |
- |
- |
- |
- |
7 |
|
|
|
- |
- |
|
- |
- |
7 |
SEVEN |
7 |
- |
- |
- |
- |
- |
8 |
|
|
|
- |
- |
|
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
|
- |
|
|
- |
- |
|
- |
- |
9 |
NINE |
9 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
3 |
|
3 |
3 |
|
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
3 |
3 |
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
12 |
21 |
12 |
12 |
21 |
|
|
|
7+8 |
|
|
1+5 |
|
|
|
- |
3 |
3 |
3 |
3 |
3 |
|
|
|
1+5 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
3 |
|
3 |
3 |
|
|
|
|
occurs |
x |
|
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
3 |
3 |
|
|
|
|
|
|
|
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
3 |
3 |
3 |
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man.The same word is used about the savage Enkidu in the Gilgamesh epic ...
- |
- |
- |
- |
- |
LULLU |
- |
- |
- |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
- |
15 |
- |
- |
6 |
LULLU |
78 |
15 |
15 |
- |
1+5 |
- |
- |
|
- |
7+8 |
1+5 |
1+5 |
- |
6 |
- |
- |
6 |
LULLU |
15 |
6 |
6 |
- |
- |
- |
- |
|
- |
1+5 |
|
|
- |
6 |
- |
- |
6 |
LULLU |
6 |
6 |
6 |
B |
= |
2 |
- |
- |
BABYLONIA |
- |
- |
- |
- |
- |
- |
- |
2 |
B+A |
3 |
3 |
3 |
- |
- |
- |
- |
2 |
B+Y |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
4 |
O+N+I+A |
39 |
21 |
3 |
B |
= |
2 |
|
9 |
|
|
|
|
|
- |
- |
- |
- |
- |
8+1 |
2+3 |
1+8 |
B |
= |
2 |
|
|
|
|
|
|
THE
LULLABY
- |
LULLABY |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
1 |
U |
21 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
A+B |
3 |
3 |
3 |
1 |
Y |
25 |
7 |
7 |
7 |
LULLABY |
85 |
22 |
22 |
|
- |
8+5 |
2+2 |
2+2 |
7 |
LULLABY |
13 |
4 |
4 |
|
- |
1+3 |
|
|
7 |
LULLABY |
4 |
4 |
4 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
L |
= |
3 |
- |
4 |
LULL |
57 |
12 |
3 |
B |
= |
2 |
- |
6 |
BEFORE |
51 |
33 |
6 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
STORM |
85 |
22 |
4 |
- |
- |
10 |
- |
21 |
First Total |
|
|
|
- |
- |
1+0 |
- |
2+1 |
Add to Reduce |
2+5+9 |
9+7 |
2+5 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
1+6 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Ulysses
www.victorianweb.org/authors/tennyson/ulyssestext.html
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
88 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
97 |
52 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
66 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
80 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
3 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
3 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+3 |
|
5+2 |
Add to Reduce |
5+5+8 |
2+7+0 |
7+2 |
|
|
|
|
|
|
|
2+8 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
1+0 |
1+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
INRI 9599 INRI
"INRI" is an abbreviation for the Latin "Iesus Nazarenus, Rex Iudaeorum" ("Jesus the Nazarene, King of the Jews"), posted on the cross by order of the Roman procurator, Pontius Pilate
- |
- |
- |
- |
4 |
FLUX |
- |
- |
- |
F |
= |
6 |
- |
1 |
F |
6 |
6 |
6 |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
X |
= |
6 |
- |
1 |
X |
24 |
6 |
6 |
- |
- |
18 |
- |
4 |
FLUX |
63 |
18 |
9 |
- |
- |
1+8 |
- |
- |
|
6+3 |
1+8 |
- |
- |
- |
9 |
|
4 |
FLUX |
9 |
9 |
9 |
- |
- |
- |
- |
4 |
COOL |
- |
- |
- |
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
L |
= |
3 |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
18 |
- |
4 |
COOL |
45 |
18 |
18 |
- |
- |
1+8 |
- |
- |
|
4+5 |
1+8 |
1+8 |
- |
- |
9 |
|
4 |
COOL |
9 |
9 |
9 |
FLUX COOL LUXOR
6336 3663 33669
FLUX COOL LUXOR
9 |
IMPARTIAL |
99 |
45 |
9 |
7 |
JUSTICE |
87 |
24 |
6 |
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
1+8+6 |
6+9 |
1+5 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+5 |
1+5 |
- |
|
Essence of Number |
|
|
|
Meir : Middle Egypt / Asyut / Meir Meir A-1 : Middle Egypt / Asyut / Meir (Niankh-hpepy) ..... Ukhhotep, Tomb of : Middle Egypt / Asyut / Meir EGY
PTIAN
SITES -
INDEX
Meir lies at the edge of the cultivation, about 50km north-west of Asyut. The modern town of el-Qusiya, about 8km to the east of Meir, probably derives its name from the ancient Qis, classical Cusae during Graeco-Roman times. Although Qis was capital of the 14th Upper Egyptian nome, there are few remaining traces of the ancient town. It was in the necropolis at Meir that the provincial rulers, or nomarchs of the region were buried in tombs high in the hillside, with the more humble population further down the slope.
- |
|
- |
- |
- |
|
|
18 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
MEIR |
|
|
|
1+2 |
|
4+5 |
2+7 |
2+7 |
|
DEIR |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
DEIR EL MEDINA |
|
|
|
WAKEFIELD MUSEUM
DISCOVERING ANCIENT EGYPT
23rd September 05 - 23rd April 06
Scientific American
updated from the 1996 issue
Page 68
Daily Life in Ancient Egypt
Andre G Mc Dowell
"Workmen and their families lived some 3000 years ago in the village now known as Deir el Medina
- |
|
- |
- |
- |
|
|
9 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
17 |
8 |
8 |
|
|
18 |
9 |
|
|
|
4 |
4 |
4 |
|
|
9 |
9 |
|
|
|
15 |
6 |
|
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
6+3 |
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
Deir el-Medina - Wikipedia, the free encyclopedia
Deir el-Medina (Arabic: دير المدينة) is an ancient Egyptian village which was home to the artisans who worked on the tombs in the Valley of the Kings ...
en.wikipedia.org/wiki/Deir_el-Medina
Deir el-Medina
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Ruins of Deir el-Medina. A UNESCO World Heritage Site[1]Deir el-Medina (Arabic: دير المدينة) is an ancient Egyptian village which was home to the artisans who worked on the tombs in the Valley of the Kings during the New Kingdom period (18th to 20th dynasties).[2] The settlement's ancient name was "Set Maat" (translated as "The Place of Truth"), and the workmen who lived there were called “servants in the Place of Truth”.[3] During the Christian era the temple of Hathor was converted into a Church from which the Arabic name Deir el-Medina ( "the monastery of the town") is derived.[4]
At the time when the world's press was concentrating on Howard Carter's discovery of the Tomb of Tutankhamun a team led by Bernard Bruyère began to excavate the site.[5] This work has resulted in one of the most thoroughly documented accounts of community life in the ancient world that spans almost four hundred years. There is no comparable site in which the organisation, social interactions, working and living conditions of a community can be studied in such detail.[6]
The site is located on the west bank of the Nile, across the river from modern-day Luxor.[7] The village is laid out in a small natural amphitheatre, within easy walking distance of the Valley of the Kings to the north, funerary temples to the east and south-east, with the Valley of the Queens to the west.[8] The village may have been built apart from the wider population in order to preserve secrecy in view of sensitive nature of the work carried out in the tombs.[9]
- |
|
- |
- |
- |
|
|
36 |
27 |
|
|
EL |
17 |
8 |
|
|
|
46 |
28 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
1+8 |
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
- |
|
- |
- |
- |
|
|
4 |
4 |
|
|
|
5 |
5 |
5 |
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
|
|
|
|
|
5 |
5 |
5 |
|
|
12 |
3 |
3 |
|
|
|
|
|
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
|
4 |
4 |
4 |
|
I |
9 |
9 |
|
|
|
14 |
5 |
5 |
|
|
1 |
1 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
6+3 |
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
- |
|
- |
- |
- |
|
|
4 |
4 |
|
|
|
5 |
5 |
5 |
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
5 |
5 |
5 |
|
|
12 |
3 |
3 |
|
|
13 |
4 |
|
|
|
5 |
5 |
|
|
|
4 |
4 |
4 |
|
I |
9 |
9 |
|
|
|
14 |
5 |
5 |
|
|
1 |
1 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
6+3 |
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
- |
|
- |
- |
- |
|
|
9 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
17 |
8 |
8 |
|
|
18 |
9 |
|
|
|
28 |
19 |
1 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
4+5 |
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
LOOK AT THE NINES LOOK AT THE NINES LOOK AT THE NINES THE NINES THE NINES
- |
|
- |
- |
- |
|
|
9 |
9 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
|
18 |
9 |
9 |
|
|
18 |
9 |
|
|
|
9 |
9 |
|
|
|
18 |
9 |
9 |
|
DEIR EL MEDINA |
|
|
|
1+2 |
|
9+9 |
6+3 |
6+3 |
|
DEIR EL MEDINA |
|
|
|
|
|
1+8 |
|
|
|
DEIR EL MEDINA |
|
|
|
LETTERS REARRANGE INTO THE MOST COMMON NUMERICAL PATTERN
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
2 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
3 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
2 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
DEIR EL MEDINA |
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
9+9 |
6+3 |
6+3 |
|
|
|
|
|
|
|
|
|
6+3 |
|
DEIR EL MEDINA |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
DEIR EL MEDINA |
|
|
|
|
|
|
|
|
|
|
|
|
|
WELL T NEVER DID YOU EVER
I |
9 |
9 |
9 |
ME |
18 |
9 |
9 |
ME - EM |
36 |
18 |
9 |
ENERGY- MASS |
126 |
45 |
9 |
DIVINE - PUREST - LOVE |
216 |
81 |
9 |
THOUGHT |
99 |
36 |
9 |
REALITY |
90 |
36 |
9 |
THE - HUMAN - RACE |
117 |
54 |
9 |
DOUBLE - HELIX |
117 |
54 |
9 |
EGO |
27 |
18 |
9 |
CONSCIENCE |
90 |
45 |
9 |
SOTHIS |
90 |
27 |
9 |
OSIRIS - RA |
108 |
45 |
9 |
SOKAR - OSIRIS |
153 |
54 |
9 |
EDFU |
36 |
18 |
9 |
VENUS |
81 |
18 |
9 |
HORUS |
81 |
27 |
9 |
PHARAOH - PYRAMID |
153 |
81 |
9 |
EHYEH - ASHER - EHYEH |
153 |
90 |
9 |
KEBRA - NAGAST |
99 |
36 |
9 |
ZARATHUSTRA |
153 |
45 |
9 |
QUETZALCOATL |
153 |
45 |
9 |
IPSISSIMUS |
153 |
45 |
9 |
RELIGIONS |
108 |
54 |
9 |
FAITHS |
63 |
27 |
9 |
ALBERT - EINSTEIN |
153 |
63 |
9 |
PHYSICS |
99 |
36 |
9 |
OXYGEN |
90 |
36 |
9 |
SUN |
54 |
9 |
9 |
SAGITTARIUS |
144 |
45 |
9 |
THIRTEEN |
99 |
45 |
9 |
CREATORS |
99 |
36 |
9 |
GODS |
45 |
18 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
EIGHTYONE |
108 |
54 |
9 |
EIGHTEENTHIRTYSIX |
225 |
99 |
9 |
NEUTRINOS |
135 |
45 |
9 |
ZERO |
64 |
28 |
1 |
LOOK AT THE N9NES LOOK AT THE N9NES LOOK AT THE N9NES THE N9NES THE N9NES
7 |
SPHERES |
90 |
36 |
9 |
4 |
ORBS |
54 |
18 |
9 |
7 |
BUBBLES |
63 |
18 |
9 |
5 |
ROUND |
72 |
27 |
9 |
4 |
BALL |
27 |
9 |
9 |
4 |
HOOP |
54 |
27 |
9 |
3 |
SUN |
54 |
9 |
9 |
7 |
JUPITER |
99 |
36 |
9 |
5 |
WORLD |
72 |
27 |
9 |
11 |
SAGITTARIUS |
144 |
45 |
9 |
4 |
GAIA |
18 |
9 |
9 |
3 |
TAO |
36 |
9 |
9 |
4 |
REAL |
36 |
18 |
9 |
7 |
REALITY |
90 |
36 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
ME |
18 |
9 |
9 |
3 |
IVE |
36 |
18 |
9 |
3 |
EGO |
27 |
18 |
9 |
10 |
CONSCIENCE |
90 |
45 |
9 |
6 |
DIVINE |
63 |
36 |
9 |
7 |
THOUGHT |
99 |
36 |
9 |
6 |
SORROW |
108 |
36 |
9 |
4 |
LOVE |
54 |
18 |
9 |
9 |
FIFTYFOUR |
126 |
54 |
9 |
10 |
THIRTYFOUR |
160 |
61 |
7 |
3 |
YOU |
61 |
16 |
7 |
4 |
YOUR |
79 |
25 |
7 |
7 |
LETTERS |
99 |
27 |
9 |
8 |
LANGUAGE |
68 |
32 |
5 |
9 |
LANGUAGES |
87 |
33 |
6 |
9 |
NUMBERING |
103 |
49 |
4 |
6 |
NUMBER |
73 |
28 |
1 |
7 |
NUMBERS |
92 |
29 |
2 |
10 |
NUMBERLESS |
128 |
38 |
2 |
8 |
NUMERALS |
84 |
30 |
3 |
5 |
HIERO |
55 |
37 |
1 |
7 |
GLYPHIC |
80 |
44 |
8 |
12 |
HIEROGLYPHIC |
135 |
81 |
9 |
8 |
GLYPHICS |
99 |
45 |
9 |
5 |
GLYPH |
68 |
32 |
5 |
6 |
GLYPHS |
87 |
33 |
6 |
10 |
HIEROGLYPH |
123 |
69 |
6 |
11 |
HIEROGLYPHS |
142 |
70 |
7 |
13 |
HIEROGLYPHICS |
154 |
82 |
1 |
6 |
SYMBOL |
86 |
23 |
5 |
7 |
SYMBOLS |
105 |
24 |
6 |
4 |
ZERO |
64 |
28 |
1 |
3 |
ONE |
34 |
16 |
7 |
8 |
ALPHABET |
65 |
29 |
2 |
9 |
ALPHABETS |
84 |
30 |
3 |
8 |
INSTINCT |
108 |
36 |
9 |
9 |
INSTINCTS |
127 |
37 |
1 |
11 |
INSTINCTUAL |
142 |
43 |
7 |
7 |
NATURAL |
87 |
24 |
6 |
6 |
NATURE |
79 |
25 |
7 |
7 |
NATURES |
98 |
26 |
8 |
9 |
UNIVERSAL |
121 |
40 |
4 |
8 |
LANGUAGE |
68 |
32 |
5 |
17 |
First Total |
189 |
72 |
9 |
1+7 |
Add to Reduce |
1+8+9 |
7+2 |
- |
8 |
Second Total |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+8 |
- |
- |
8 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
GENETIC |
63 |
36 |
9 |
4 |
CODE |
27 |
18 |
9 |
11 |
Add to Reduce |
90 |
54 |
18 |
1+1 |
Reduce to Deduce |
9+0 |
5+4 |
1+8 |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
DOUBLE |
59 |
23 |
5 |
5 |
HELIX |
58 |
31 |
4 |
11 |
Add to Reduce |
117 |
54 |
9 |
1+1 |
Reduce to Deduce |
1+1+7 |
5+4 |
- |
2 |
Essence of Number |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
13 |
Add to Reduce |
108 |
63 |
18 |
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
4 |
Essence of Number |
9 |
9 |
9 |
- |
ALL IS NUMBER |
- |
- |
- |
3 |
|
25 |
7 |
|
|
IS |
28 |
10 |
|
6 |
|
73 |
28 |
|
|
ALL IS NUMBER |
|
|
|
|
- |
1+2+6 |
4+5 |
|
|
ALL IS NUMBER |
|
|
|
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
0 |
- |
4 |
|
8 |
5 |
9 |
6 |
- |
= |
28 |
2+8 |
= |
10 |
1+0 |
1 |
1 |
- |
3 |
|
6 |
5 |
5 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
2 |
- |
3 |
|
2 |
5 |
6 |
- |
- |
= |
13 |
1+3 |
= |
4 |
- |
4 |
3 |
- |
5 |
|
2 |
8 |
9 |
5 |
5 |
= |
29 |
2+9 |
= |
11 |
1+1 |
2 |
4 |
- |
4 |
|
6 |
6 |
3 |
9 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
5 |
- |
4 |
|
6 |
9 |
4 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
6 |
- |
3 |
|
1 |
9 |
6 |
- |
- |
= |
16 |
1+6 |
= |
7 |
- |
7 |
7 |
- |
5 |
|
1 |
5 |
4 |
5 |
5 |
= |
20 |
2+0 |
= |
2 |
- |
2 |
8 |
- |
5 |
|
5 |
9 |
7 |
8 |
2 |
= |
31 |
3+1 |
= |
4 |
- |
4 |
9 |
- |
4 |
|
5 |
9 |
5 |
5 |
- |
= |
24 |
2+4 |
= |
6 |
- |
6 |
45 |
- |
40 |
Add |
42 |
70 |
58 |
43 |
12 |
- |
225 |
- |
- |
63 |
- |
45 |
4+5 |
- |
4+0 |
- |
4+2 |
7+0 |
5+8 |
4+3 |
1+2 |
- |
2+2+5 |
- |
- |
6+3 |
- |
4+5 |
9 |
- |
4 |
Reduce |
6 |
7 |
13 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
1+3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
4 |
Deduce |
6 |
7 |
4 |
7 |
3 |
- |
9 |
- |
- |
9 |
- |
9 |
5 x 14 = 70
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
5 x 14 = 70
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
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6 |
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6 |
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8 |
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6 |
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9 |
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1 |
9 |
6 |
- |
1 |
- |
- |
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5 |
- |
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9 |
- |
8 |
- |
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5 |
9 |
5 |
- |
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26 |
- |
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15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
- |
19 |
9 |
24 |
- |
19 |
- |
- |
- |
14 |
- |
- |
9 |
- |
8 |
- |
- |
14 |
9 |
14 |
- |
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5 |
9 |
- |
- |
- |
- |
5 |
- |
2 |
5 |
- |
- |
2 |
- |
9 |
5 |
5 |
- |
6 |
- |
3 |
9 |
- |
6 |
- |
4 |
5 |
- |
- |
- |
- |
- |
- |
5 |
4 |
5 |
- |
- |
5 |
- |
7 |
- |
2 |
- |
- |
- |
- |
5 |
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5 |
18 |
- |
- |
- |
- |
5 |
- |
20 |
23 |
- |
- |
20 |
- |
18 |
5 |
5 |
- |
6 |
- |
21 |
18 |
- |
6 |
- |
22 |
5 |
- |
- |
- |
- |
- |
- |
5 |
22 |
5 |
- |
- |
5 |
- |
7 |
- |
20 |
- |
- |
- |
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5 |
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26 |
5 |
18 |
15 |
- |
15 |
14 |
5 |
- |
20 |
23 |
15 |
- |
20 |
8 |
18 |
5 |
5 |
- |
6 |
15 |
21 |
18 |
- |
6 |
9 |
22 |
5 |
- |
19 |
9 |
24 |
- |
19 |
5 |
22 |
5 |
14 |
- |
5 |
9 |
7 |
8 |
20 |
- |
14 |
9 |
14 |
5 |
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8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
5 |
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-- |
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4+5 |
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E |
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8 |
5 |
9 |
6 |
- |
6 |
5 |
5 |
- |
2 |
5 |
6 |
- |
2 |
8 |
9 |
5 |
5 |
- |
6 |
6 |
3 |
9 |
- |
6 |
9 |
4 |
5 |
- |
1 |
9 |
6 |
- |
1 |
5 |
4 |
5 |
5 |
- |
5 |
9 |
7 |
8 |
2 |
- |
5 |
9 |
5 |
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- |
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- |
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H |
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E |
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14 x 5 x 14
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
14 x 5 x 14
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
occurs |
x |
|
= |
2 |
= |
|
|
occurs |
x |
|
= |
6 |
= |
|
|
occurs |
x |
|
= |
3 |
= |
|
|
occurs |
x |
|
= |
8 |
= |
|
|
occurs |
x |
|
= |
70 |
7+0 |
|
|
occurs |
x |
|
= |
42 |
4+2 |
|
|
occurs |
x |
|
= |
7 |
= |
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
occurs |
x |
|
= |
63 |
6+3 |
|
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|
|
4+5 |
|
|
4+0 |
|
2+2+5 |
|
5+4 |
|
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|
|
|
|
|
|
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
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- |
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- |
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- |
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E |
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- |
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- |
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- |
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E |
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- |
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H |
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- |
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E |
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8 |
- |
- |
6 |
- |
6 |
5 |
- |
- |
- |
- |
6 |
- |
- |
8 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
9 |
- |
- |
- |
1 |
9 |
6 |
- |
1 |
- |
- |
- |
5 |
- |
- |
9 |
- |
8 |
- |
- |
5 |
9 |
5 |
- |
|
26 |
- |
- |
15 |
- |
15 |
14 |
- |
- |
- |
- |
15 |
- |
- |
8 |
- |
- |
- |
- |
- |
15 |
- |
- |
- |
- |
9 |
- |
- |
- |
19 |
9 |
24 |
- |
19 |
- |
- |
- |
14 |
- |
- |
9 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x14 = 70
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
|
|
R |
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8 |
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6 |
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6 |
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6 |
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1+1+2 |
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26 |
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15 |
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14 |
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+ |
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|
2+5+6 |
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|
1+3 |
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5 |
9 |
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9 |
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3 |
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6 |
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4 |
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5 |
4 |
5 |
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7 |
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2 |
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5 |
+ |
= |
|
1+1+3 |
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LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 14 = 70
LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES
5 x 14 = 70
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LOGARITHM
Logarithm - Wikipedia
en.wikipedia.org › wiki › Logarithm
In mathematics, the logarithm is the inverse function to exponentiation. That means the logarithm of a given number x is the exponent to which another fixed ...
Logarithmic scale · ?Natural logarithm · ?Common logarithm · ?Binary logarithm
Introduction to Logarithms - Math is Fun
www.mathsisfun.com › algebra › logarithms
Introduction to Logarithms. In its simplest form, a logarithm answers the question: How many of one number do we multiply to get another number?
?Working with Exponents · ?Logarithms Can Have Decimals · ?Exponents, Roots
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LOGARITHM
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
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MINUS 5
LOGARITHM
ALGORITHM
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ALGORITHM
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL MORDER
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Algorithm - Wikipedia, the free encyclopedia en.wikipedia.org/wiki/Algorithm
In mathematics and computer science, an algorithm is a step-by-step procedure for calculations. Algorithms are used for calculation, data processing, and ...
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ORACLE POSTS
Somebody tell me more about this site
Search this topic…
19 posts 1
explorer
Posts: 1
Joined: 10 Dec 2020 04:39
Contact: Contact explorer
Somebody tell me more about this site
Post by explorer » 10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
Top
packajos000
Posts: 1101
Joined: 28 Jan 2016 04:10
Contact: Contact packajos000
Re: Somebody tell me more about this site
Post by packajos000 » 11 Dec 2020 19:40
Tales Of Rabbits.
Image
......
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3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 21 Dec 2020 16:46
explorer wrote: ?10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
when you have an illumination then you understand every single word of all sites and all numbers, you will understand
Top
3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 21 Dec 2020 16:49
explorer wrote: ?10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
bettter words for it, drop out the pyramid, not symbolic, drop out the pyramid system and look it from outside, from a distance where somebody cant ells
you play god, better say you are
cause you know why you live, you know who you are, you know why.
Top
Auriorusiana
Posts: 803
Joined: 28 Nov 2020 00:28
Contact: Contact Auriorusiana
Re: Somebody tell me more about this site
Post by Auriorusiana » 22 Dec 2020 00:53
illumination varies in degrees, shades, colors, and gradients, yet it stems from one all and will return to the same conclusion.
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Coddiwomple
Posts: 18
Joined: 02 Nov 2020 14:48
Contact: Contact Coddiwomple
Re: Somebody tell me more about this site
Post by Coddiwomple » 23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
Top
3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 24 Dec 2020 02:33
Coddiwomple wrote: ?23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
"It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality." -CoddyWomple
possibly the greatest written statement of mankind.
Top
3301313.1411033
Posts: 123
Joined: 21 Dec 2020 06:07
Contact: Contact 3301313.1411033
Re: Somebody tell me more about this site
Post by 3301313.1411033 » 24 Dec 2020 02:36
3301313.1411033 wrote: ?24 Dec 2020 02:33
Coddiwomple wrote: ?23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
"It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.
Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality." -CoddiWomple
possibly the greatest written statement of mankind.
Top
Redbeck
Posts: 1708
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: Somebody tell me more about this site
Post by Redbeck » 27 Apr 2021 19:40
Packajos000 is correct there is a tale of White Rabbits within, well remarked I must say. Charles Lutwidge Dodgson (27th January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, he was a lover of Laudanum and we are most fond of his work. Victorian Pharmacies were not stingy. And Coddiwomple such an eloquent interpretation and accolade, thank you, we fend off the grubby fingers of commercial gain intruding into the work night and day, they see knowledge as a way to serve the evil ways of capitalism, but we are on the front foot and the frontline of defiance toward this pernicious system. There are changes we must make to survive which is also deep in the essence of this work fight numbers associated with greed with numbers for good and there is a chance.
Redbeck
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Auriorusiana
Posts: 803
Joined: 28 Nov 2020 00:28
Contact: Contact Auriorusiana
Re: Somebody tell me more about this site
Post by Auriorusiana » 03 May 2021 07:49
its beautiful therefore equally horrendous and therefore good this one thread has for understanding
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Auriorusiana
Posts: 803
Joined: 28 Nov 2020 00:28
Contact: Contact Auriorusiana
Re: Somebody tell me more about this site
Post by Auriorusiana » 03 May 2021 07:50
so odd that we fuel our opposition of ignorance, though we have perpetuated the tricks intentionally or not
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User avatarBeware
Posts: 159
Joined: 09 Aug 2020 17:32
Contact: Contact Beware
Re: Somebody tell me more about this site
Post by Beware » 12 May 2021 02:22
This site is for those that seek the truth, fail to comprehend it, beat it like a dead horse, and then regurgitate that same process all over again.
The truth is simple everybody: You have no idea what's going on or what to do about it. I LOVE THE LOST SOULS.
Top
Redbeck
Posts: 1708
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: Somebody tell me more about this site
Post by Redbeck » 12 May 2021 17:45
The structural truth of life resides in every meadow, forest, swamp, salt flat and sea and every associated phenomenon and activity from icebergs, to earthquakes, tsunamis, waterspouts, onward to reproduction, medicines and death.
We must work to sustain this wealth of natural world life in order to save the integral structure and truth of humanity they are inextricably linked. Truth already lies within human mind, heart and soul, we are born with truth, but we have to battle to retain that truth concept before it becomes a tainted tawdry commodity with which so many humankind become smugly economical. Or teach our children, learn another way to remain honourable through indisputable facts. Language frequently masks truth altogether or cunningly diverts its direction beyond the swing of a moral compass. Yet break the constituents of language down into number and the truth is not lost behind an artfully decorative screen.
Above all, for us to know Truth it is essential that we reconnect with the natural world, to begin the sustenance or be damned, our convergent technology supported and pampered lives become worthless.
Image
Image
Top
Redbeck
Posts: 1708
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: Somebody tell me more about this site - REAL REALITY REVEALED
Post by Redbeck » 01 Jun 2021 23:27
MORE SIGNPOSTS FROM DAVID DENISON, A RICH VEIN THAT IS WELL WORTH FOLLOWING AND DIGGING DEEPER, SO MUCH TO LEARN SO LITTLE TIME, MAKE HASTE FOR THE CLOCK IS TICKING MY FRIENDS. Redbeck
ANCIENT EGYPT - THE LIGHT OF THE WORLD
Gerald Massey
Book 12
Page 898
"When Horus returns to his father with his work accomplished on earth and in Amenta he greets Osiris in a “discourse to his father”. In forty addresses he enumerates what he has done for the support and assistance of Osiris in the earth of Seb. Each line commences with the formula, “Hail, Osiris, I am thy son Horus. I have come!”